FROM OUR OWN HANDS 2013 The Return of THE GLAMA-RAMA STAFF ART SHOW!
OCT. 18, 2013 – JAN 12, 2014Opening Reception FRI. OCT 18, 7-10pm
Glama-Rama Salon & Art Gallery is excited to announce the return of our staff art show. The show will feature stained glass, mosaic, painting, embroidery, photography, and jewelry. This show runs through the holiday season so consider this a great opportunity for gifts!
Artists featured in the show include the following staff members:
Jennifer Hofmann (Stylist) – Stained Glass & Mosaics
Olive Loew (Stylist) – Embroidery
Deena Davenport (Stylist / Proprietress) – Photography
Flynn DeMarco (Webmaster/IT Geek) – Painting
Jinelle Diamond (Stylist) – Painting
Katey McKee (Stylist) – Jewelry
Opening reception on FRI. OCT 18th begins at 7pm and ends at 10pm. Join the party for beverages, snacks, and art made by us! DJ ROB COONS spins too! This is a free event.
We’re really excited to announce the opening of our new show featuring painter, William “Cricket” Ulrich. The show, “Dark Glamour” will feature painterly portraits of vintage glamour ala Hollywood of yesteryear. Glama-Rama wouldn’t be what it is without glamour and so we think that this show will be an inspired fit.
The Opening Reception will be held on Friday, Sept. 6th, 7-10pm. Beverages & snacks will be provided. This is a free event.
I was drawn to the dramatic lighting of 1930′s Hollywood photographs. A painterly effect with metallic paints is what I was after for this show, rather than an accurate portrait of a star. As a teenager, I used to go to the library in Northern Kentucky and look at books of Hollywood stars. Marlene Dietrich became my muse. Fascinated by the lighting, I copied her pictures in pencil. She remains to this day my favorite. Years later, I’m going back to my roots of vintage celebrity glamour and giving it a second look in a new style. Thrown in among the vintage celebrities is an old Fendi ad, a model from the 80′s, and a snapshot of “Tommy”. Whatever I thought was glamour, that I just had to paint.
Not to be content with depictions of well and lesser known stars in metallics, I had to pair fabrics with celebrities to add an element of kitsch. It was fun imagining a fabric from Joan’s house in Mommie Dearest and painting her on it.
The majority of the work in this show is painted on recycled materials. Strips of wood found on the street were glued together to make panels that were painted on or upholstered with remnant fabric. There were a few bought canvases, but most were recycled or given to me.
I grew up on a farm in southern Indiana. Later, mom found a job in the Cincinnati area—an abrupt introduction for a hillbilly child to life in suburbia. The fortunate receipt of a scholarship to the University of Cincinnati allowed me to study graphic design, and take fine arts classes whenever possible. I kept sketchbooks full of drawings and collages to offset the rigidity of my design training.
After college, for three months, the opportunity to study life drawing and painting (in Paris!) with Ben Long, the American realist painter, was irresistible — and the germination of my Pen & Ink technique. Long’s influence as well as my exposure to various museums, the sights, sounds and experiences of Paris, led me to the decision to pursue the Fine Arts professionally. After Paris, it was hard to stay in Cincinnati, so, naturally, I moved to San Francisco in the fall of 1990.
I learned decorative painting and faux finishing from working on the complete restoration of a Victorian in Hayes Valley. Metallic paints used in projects for painting walls became a favorite of mine and were used to complete the work in this show.
The title “Nossa, Sassilandia!” is a very colloquial way of saying “Oh my, Sassilandia!” in the artist’s native Portuguese. It depicts quirky beings and amusing adventures. But there is also drama, rebellion, cheekiness; things that are similar to our own world. Works are in pen on paper, acrylic on canvas, digital form, and sculpture. There is also an interactive aspect for anyone who wants to get close to the art.
Show runs July 12th, 2013 – Sept. 1st, 2013.
The opening reception will be held on Friday, July 12th, 7-10pm.
Performances, beverages & snacks will be provided. This is a free event.
Ordinary life in Sassilandia is usually happy. But there is no such thing as perfection. The cuteness of the creatures disguises their inner strengths. Each one struggles with strong emotions, hard issues, and tough choices. They suffer, they yearn, they celebrate victories large and small, they cry, and they move on. They are strong and brave-as-hell. Even the tiniest and softest of them all.
My work has been to reproduce their struggles and triumphs as objectively as possible. Of course, it’s nearly impossible for any observer to be completely impartial. Over time I began to care for these critters who have taught me so much about courage and delight. However I promise that I have done everything possible to faithfully record what I saw firsthand.
Drawing by hand is my favorite form of expression. I would say that I feel very comfortable sketching, but in reality I am a compulsive illustrator. I draw everywhere, under almost any circumstances. Although I have a background in advertising and art direction, I am a self-taught artist. Born in Sao Paulo, Brazi, I have lived in Buenos Aires, Lisbon, and London. When I was younger, I dreamed being able to draw bunnies for a living. I currently reside in San Francisco.
May 17 – July 5, 2013 / Opening Reception Fri. May 17, 7-10pm
GLAMA‐RAMA Salon and Gallery would like to announce the opening of their new show featuring painter and multi-media artist, Jer Ber Jones.
Inspired by the scenic outdoors and Mormon culture of Southern Utah, Wildflowers explores the “Go West!” experience of the pioneers of the 1800s, actors & actresses of the 20th century, and reverence and respect for the wild natural beauty that continues to blossom in toxic 21st century. Multi-media artist and Internationally acclaimed musician and performer, Jer Ber Jones has been an artist in residence in the Utah desert for the past 6 months and is bringing the inspiration back to San Francisco, the artists home away from home for the past two decades. All these influences together in paintings, collage, video and even a cover version of the Dolly Parton/Trio song- “Wildflowers Don’t Care Where They Grow”. Documentation of the progress of the show from start to finish with pictures, writing and video can be found at: http://jerberjoneswildflowers.tumblr.com/
This will be Jer Ber’s second show at Glama-Rama Salon.
The opening reception will be held on Friday, May 17, 7-10pm.
Performances, beverages & snacks will be provided. This is a free event.
Artist Statement & Bio:
“Jack of all trades, master of none”- Jer Ber Jones sure is having fun.
I guess I have always let my ADD get the best of me. One of the lessons I retained from my Mormon upbringing was to work hard and be industrious, a busy bee. At a very young age I realized I was a generalist artist, quickly and eagerly jumping from music, to writing, to painting and to performing. I was organically queer, and at 13yo was ostracized from my family and Christian suburban community. I ran away from my horses, piano, home and school and set out to pioneer my own vision of performance and art. Since then, I have lived in Los Angeles, San Francisco and New York City. Currently, I have returned to my roots, spending extended amounts of time in the super beautiful southern Utah desert. A much needed, calming, colorful and enlightening experience. In true Mormon fashion, I began to explore my family’s genealogy and deep roots in polygamy, founding members of the LDS church, and the shame & intolerance of my mixed Native American Indian blood. I am a blood-registered member of the Ute and Winnebago Indian tribes.
5 year apprentice to performance artist Rachel Rostenthal . Co-founder & DJ of Trannyshack nightclub in San Francisco. Original song “Lotion” appeared on the first ever “Electroclash” CD compilation and was covered by Scissor Sisters. World’s only Pappteller (German paper plates) artist since 1997. Coined the term “Tranimal” (click for wikipedia article). Exhibits at The Hammer Museum, Berkeley Art Museum, MoMA PS1, World of Wonder Gallery. Creator of the Telekinesis cabaret, a 10 year residency at Cavern Club Theater. Jer Ber’s 2012 full length album of re-imagined A-side cover songs, and many other recordings and artworks- available through Jer’s website, iTunes, Pandora & Spotify.
The L.A. TIMES says “Turn the dial of drag performance aesthetics all the way to surreal, and there you will find Jer Ber” and “aberrant performance art that’s unusual even for the L.A. art scene”.
Check out more of Jer Ber Jones work at:
SAN FRANCISCO, CA‐ JAN. 3, 2013 – GLAMA‐RAMA Salon and Gallery would like to announce the opening of their new show featuring San Francisco artist Lillian Shanahan. The opening reception, held at Glama‐Rama (304 Valencia, SF) titled “Cheap Children Hard Labour” will be held on Friday, Jan. 25th, and will run from 7‐10 PM and will feature a live performance by “BESTFRIENDGRRLFRIEND”.
This show offers playful look at the rolls of women and the children they have the power to offspring. The woman, who is oftentimes downplayed in importance because her beauty; beautiful things are delicate and excessive, although made to feel submissive, her beauty is ironically the mother and origins of all life. Her power to bring life into this world and the infinite possibilities that birth can produce.
Lillian Shanahan comes from a large Irish native San Franciscan family. Her work is strongly influenced by history, focusing on the extremes of human nature; from the depravity of man to his potential beauty and magnificence. She doesn’t focus her attention on criticizing or chastising but rather the irony of life and the darkness that resides in us all, often times unnecessarily overshadowing the beauty.
Lillian’s work is also highly influenced by city life and the constant struggle for identity. Attempting to capture the persistent wave of changes that flow through a city, starting at one corner and spreading rapidly to the next, while keeping in mind the new wave that has already begun within it’s midst. How the people in the city try to keep up and to seem or feel important. She does a lot of portraiture and character studies.
check out more of her work at lilyshanahan.wordpress.com